tonight, we step out on to the prison's dance floor
tonight, we pull down all the flags
and wrap up our innocence in shiny plastic bags
you spread out your curtsy
before my drunken eye
you pull up on your skate board
and say "can I give you hand"
that day was important
that day I won't ignore
when you opened up your window
but you shut your front door
and I put you in my pocket
and you fall to the street
and you say you like the devil
but we're the nicest guys you'll meet
Tonight, we open our front doors
tonight, we step out on to the prison's dance floor
tonight, we pull down all the flags
and wrap up our innocence in shiny plastic bags
....
Barber Shop Part 2
"I've never seen the pyramids"
This is what I told Sara, my companion
I'd picked her up as a hitch-hiker approximately
3 years, 7 months, 21 days, and 9 hours
approximately
Her response was,
"go buy a postcard of those triangles in the sand
and send it to yourself with a message reading
"wish you were here"
It's been three years since we left the place
where we'd already paid
that moment when the jump of your heart
is equal to the weight of your body
on the ribcage of another
One day, she told me that her mother was born on May 8th, 1945
the day the radio turned drawn cheeks into arched smiles
the news cascading through the crowds and fields
as the european guns were dropped
and diplomatic pens covered in dried blood
tried once again to share ink
she says our kids will look at those two world wars
like those of Alexander, Napoleon, or even Shakespeare
the victors as rockstars
held on the stages of our imagination like armed marionettes
wading through the glory of stardom and the poison of nostalgia
We were driving on the outskirts of some small Canadian town
the kind of town that's cradled by the CBC and tough like an abandoned teenager
she turned on the radio
some faint music sorted its way through the static and confusion
of Alzeihmer speakers
but the melodies stopped short of selling us courage
so she turned it off
Instead
she put in a different album
she explained it was a collection of the songs of a man
who when his hands had been broken by soldiers
after a September 11th military coup in his country in the 1970's
he mustered a song that sang
like spit-in-their-faces glory
before they riddled his ribcage with 44 bullets
and tossed his body into the street
the jump of his heart fading in the cadence of smoke
our tires carried us through that small Canadian pre-alarm clock town
the doors were locked, from the liquor store to the barber shop
the windows blinded to the passing lights
and his voice came through the speakers
like broken glass throwing its shards at fear
as the oncoming headlights swept across the dashboard
like unknown flags blowing in the wind
--- the barber shop is closed ---
I think often about New York
and the effect pop songs have on small villages in Northern India
and how that day in Times Square a few years ago
dumpsters orchestrated a horror movie in my head
as protectors of the peace scared the courage out of us
and blanketed us with the possibilities and maybes of violence
but did stop something from happening
now my great great aunt was diagnosed with Tuberculosis
before the cure had been found
now her reality had nothing to do with the probability of maybe
she was quarantined to the grainery on the family farm
and her father moved the family piano so she could play it
when she played her Irish dancehall, classical exercise
the sound resonated up through the wooden walls
as her family listened in from the outside
until one day the hammers no longer hit the strings
I grew up knowing this story
and I remember as a kid imagining her on the floor of that grainery
she inspired the idea that
scales are the teeth of beauty
and that sometimes a song can help you accept the grave
or make you feel
like you were born on May 8th, 1945
so I asked Sara again
if she could explain to me
what is the story of what the river gave the boat
she said don't worry,
some things float and some things don't
and the ones that don't,
well, they're kind of like a glory
that doesn't have the grace you'll find in a small town
that knows it will never be abandoned
then she rolled the window down to the let the morning in
I sat beside her
the music coming out of the speakers
became quarantined to my ears
like the sounds of sara's hallelujah
on my ribcage
at her moment of glory
.....
we're looking for that woman
we're looking for that man
we don't believe in music
that needs a hospital
we're looking for your jesus
we're looking for your allah
we're looking for the gandhi version
of the holy fatwa
we're looking for pinocchio
at least he stands out in a crowd
we're looking for the dreamers
that can sing this fucking loud
tonight, we open our front doors
tonight, we step out on to the prison's dance floor
tonight, we pull down all the flags
and wrap up our innocence in shiny plastic bags
credits
from What the Boat Gave the River,
track released September 15, 2008
Composer: Mark Berube
Arrangement: The Patriotic Few
Voice: Anne Widmer
Voice: Kevin Gault
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